Συνδεθείτε 1 ρόλος ψωμιού αποθέματα φωτογραφίες, εικόνες & εικόνες
Κοιτάξτε βιαστικά 943 επαγγελματίας 1 ρόλος ψωμιού αποθέματα φωτογραφίες, εικόνες & εικόνες διαθέσιμο δικαιώματα δικαίωματα.
![The Siwa Oasis is an oasis in Egypt, located between the Qattara Depression and the Egyptian Sand Sea in the Libyan Desert, nearly 50 km (30 mi) east of the Libyan border, and 560 km (348 mi) from Cairo. About 80 km (50 mi) in length and 20 km (12 mi) wide, [1] Siwa Oasis is one of Egypt's most isolated settlements, with 23, 000 people, mostly Berber speakers[1] who speak a distinct language of the Berber family known as Siwi. Its fame lies primarily in its ancient role as the home to an oracle of Amon, the ruins of which are a popular tourist attraction which gave the oasis its ancient name Ammonium. Historically, it is part of Ancient Libya. Its modern name Siwa, first attested in the 15th century (earlier Arab geographers termed it Santariyyah), is of uncertain origin. Agriculture is the main activity of modern Siwi, particularly the cultivation of dates and olives. Handicrafts like basketry are also of regional importance. The isolation of the oasis caused the development of a unique culture which was shown in its pottery, costume, styles of embroidery and, most notably, in the silver jewellery worn by women to weddings and important occasions. These pieces were decorated with symbols which related to Siwa’s history and beliefs and attitudes. Tourism has in recent decades become a vital source of income. Much attention has been given to creating hotels that use local materials and play on local styles. The ancient fortress of Siwa, built on natural rock, made of salt, mud-brick and palm logs and known as the Shali Ghadi ("Shali" being the name of the town, and "Ghadi" meaning remote), although now mostly abandoned and 'melted', remains a prominent feature, towering five stories above the modern town. The Siwa Oasis is an oasis in Egypt, located between the Qattara Depression and the Egyptian Sand Sea in the Libyan Desert, nearly 50 km (30 mi) east of the Libyan border, and 560 km (348 mi) from Cairo. About 80 km (50 mi) in length and 20 km (12 mi) wide, [1] Siwa Oasis is one of Egypt's most isolated settlements, with 23, 000 people, mostly Berber speakers[1] who speak a distinct language of the Berber family known as Siwi. Its fame lies primarily in its ancient role as the home to an oracle of Amon, the ruins of which are a popular tourist attraction which gave the oasis its ancient name Ammonium. Historically, it is part of Ancient Libya. Its modern name Siwa, first attested in the 15th century (earlier Arab geographers termed it Santariyyah), is of uncertain origin. Agriculture is the main activity of modern Siwi, particularly the cultivation of dates and olives. Handicrafts like basketry are also of regional importance. The isolation of the oasis caused the development of a unique culture which was shown in its pottery, costume, styles of embroidery and, most notably, in the silver jewellery worn by women to weddings and important occasions. These pieces were decorated with symbols which related to Siwa’s history and beliefs and attitudes. Tourism has in recent decades become a vital source of income. Much attention has been given to creating hotels that use local materials and play on local styles. The ancient fortress of Siwa, built on natural rock, made of salt, mud-brick and palm logs and known as the Shali Ghadi ("Shali" being the name of the town, and "Ghadi" meaning remote), although now mostly abandoned and 'melted', remains a prominent feature, towering five stories above the modern town.](https://thumbs.dreamstime.com/b/η-όαση-siwa-είναι-μια-όαση-στην-αίγυπτο-που-βρίσκεται-μεταξύ-της-κατάθ-29954737.jpg)
![The original painting of Our Lady of Perpetual Help A.K.A. Mother of Perpetual Help and Our Lady of Perpetual Succour was created by an anonymous artist possibly a monk who lived in Crete in the style of the Virgin of the Passion which represents the Christian mystery of Redemption. Since 1499, the image is in Rome and permanently enshrined in the church of Sant`Alfonso di Liguori, where the official Novena to Our Mother of Perpetual Help text is prayed weekly. In June 23, 1867, the image was granted a Canonical Coronation and its official recognition of the Marian icon under its present title.
In 1931, a replica painting from St. Patrick`s Cathedral, New York, was sent to the Parish Church of The Holy Innocents to honor the inauguration of the Shrine of Our Lady of Perpetual.
Four Icon Symbols
The painting of the Mother of God, Jesus Christ, and the Archangels Michael and Gabriel are identified by the Greek letters.
1. MP-OY [theta O]: represents Mother of God, on the two sides of the upper part of the icon
2. IC-XC: represents Jesus Christ, on the right side
3. OPM: represents Archangel Michael, on the left side above the Angel
4. OPT [tau]: represents Archangel Gabriel, on the right side above the Angel
Our Lady of Perpetual draws us to pray, it is the mysteries of Salvation. Many like to say the Rosary before this iconic painting. The original painting of Our Lady of Perpetual Help A.K.A. Mother of Perpetual Help and Our Lady of Perpetual Succour was created by an anonymous artist possibly a monk who lived in Crete in the style of the Virgin of the Passion which represents the Christian mystery of Redemption. Since 1499, the image is in Rome and permanently enshrined in the church of Sant`Alfonso di Liguori, where the official Novena to Our Mother of Perpetual Help text is prayed weekly. In June 23, 1867, the image was granted a Canonical Coronation and its official recognition of the Marian icon under its present title.
In 1931, a replica painting from St. Patrick`s Cathedral, New York, was sent to the Parish Church of The Holy Innocents to honor the inauguration of the Shrine of Our Lady of Perpetual.
Four Icon Symbols
The painting of the Mother of God, Jesus Christ, and the Archangels Michael and Gabriel are identified by the Greek letters.
1. MP-OY [theta O]: represents Mother of God, on the two sides of the upper part of the icon
2. IC-XC: represents Jesus Christ, on the right side
3. OPM: represents Archangel Michael, on the left side above the Angel
4. OPT [tau]: represents Archangel Gabriel, on the right side above the Angel
Our Lady of Perpetual draws us to pray, it is the mysteries of Salvation. Many like to say the Rosary before this iconic painting.](https://thumbs.dreamstime.com/b/ιερό-για-τη-μητέρα-μας-αέναη-βοήθεια-ιερά-αθώοι-εκκλησία-νικ-ο-αρχικός-238399066.jpg)
Free with trial
Η σκηνή νύχτας της γέφυρας αέρας-βροχής γεφυρών Fengyu στο χωριό Xijiang Qianhu Miao
Free with trial
Η σκηνή νύχτας της γέφυρας αέρας-βροχής γεφυρών Fengyu στο χωριό Xijiang Qianhu Miao
![The Harmsworth Encyclopaedia 1930s / 1940s - Vintage black and white portrait photo of Lord Kitchener of Khartum. Field Marshal Horatio Herbert Kitchener, 1st Earl Kitchener,24 June 1850 – 5 June 1916 was a senior British Army officer and colonial administrator who won notoriety for his imperial campaigns, most especially his scorched earth policy against the Boers and his establishment of concentration camps during the Second Boer War in which between 18,000 and 28,000 men, women and children died, mainly from disease epidemics,[1] and later played a central role in the early part of the First World War. The Harmsworth Encyclopaedia 1930s / 1940s - Vintage black and white portrait photo of Lord Kitchener of Khartum. Field Marshal Horatio Herbert Kitchener, 1st Earl Kitchener,24 June 1850 – 5 June 1916 was a senior British Army officer and colonial administrator who won notoriety for his imperial campaigns, most especially his scorched earth policy against the Boers and his establishment of concentration camps during the Second Boer War in which between 18,000 and 28,000 men, women and children died, mainly from disease epidemics,[1] and later played a central role in the early part of the First World War.](https://thumbs.dreamstime.com/b/vintage-black-white-photo-φωτογραφία-του-λόρδου-kitchener-khartum-η-αρκήσιμη-170961340.jpg)
Free with trial
χαριτωμένη ασιάτισσα 18 μηνών 1 παιδί μωρό παιδί που διασκεδάζει μόνη της μαγειρεύοντας παιχνίδια στο σχολείο παιδί
![1 GORLERO Giulia [ROLE: Goalkeeper] (Italy) during Olympic Games Women's Waterpolo Olympic Game Qualification Tournament 2021 - Holland vs Italy at the Federal Center B. Bianchi in Trieste, Italy, January 20 2021 - Credit: LiveMedia/Marco Todaro. 1 GORLERO Giulia [ROLE: Goalkeeper] (Italy) during Olympic Games Women's Waterpolo Olympic Game Qualification Tournament 2021 - Holland vs Italy at the Federal Center B. Bianchi in Trieste, Italy, January 20 2021 - Credit: LiveMedia/Marco Todaro](https://thumbs.dreamstime.com/b/τουρνουά-ολυμπιακών-αγώνων-υδατοσφαίρισης-γυναικών-ολλανδία-εναντίον-208073957.jpg)
![The Bazaar of Pristina, Kosovo, was the core merchandising center of the Old Pristina since the 15th century, when it was built.[1] It played a significant role in the physical, economic, and social development of Pristina. The Old Bazaar was destroyed during the 1950s and 1960s, following the modernization slogan of Destroy the old, build the new. In its place, buildings of Kosovo Assembly, Municipality of Prishtina, PTT, and Brotherhood and Unity socialist square were built. Nowadays, instead of PTT building resides the Government of Kosovo building. Only few historical buildings, such as the Bazaar Mosque and ruins of the Bazaar Hammam have remained from the Bazaar complex. Since then, Pristina has lost part of its identity, and its cultural heritage has been scattered. The Bazaar of Pristina, Kosovo, was the core merchandising center of the Old Pristina since the 15th century, when it was built.[1] It played a significant role in the physical, economic, and social development of Pristina. The Old Bazaar was destroyed during the 1950s and 1960s, following the modernization slogan of Destroy the old, build the new. In its place, buildings of Kosovo Assembly, Municipality of Prishtina, PTT, and Brotherhood and Unity socialist square were built. Nowadays, instead of PTT building resides the Government of Kosovo building. Only few historical buildings, such as the Bazaar Mosque and ruins of the Bazaar Hammam have remained from the Bazaar complex. Since then, Pristina has lost part of its identity, and its cultural heritage has been scattered](https://thumbs.dreamstime.com/b/πα-αιό-bazaar-pristina-κόσοβο-40831531.jpg)
![La Bocca della Verità (The Mouth of Truth) is an image, carved from Pavonazzo marble, of a man-like face, located in the portico of the church of Santa Maria in Cosmedin in Rome, Italy. The sculpture is thought to be part of a first-century ancient Roman fountain, or perhaps a manhole cover, portraying one of several possible pagan gods,[1] probably Oceanus. Most Romans believe that the 'Bocca' represents the ancient god of the river Tiber. The most famous characteristic of the Mouth, however, is its role as a lie detector. Starting from the Middle Ages, it was believed that if one told a lie with one's hand in the mouth of the sculpture, it would be bitten off. The piece was placed in the portico of the Santa Maria in Cosmedin in the 17th century. La Bocca della Verità (The Mouth of Truth) is an image, carved from Pavonazzo marble, of a man-like face, located in the portico of the church of Santa Maria in Cosmedin in Rome, Italy. The sculpture is thought to be part of a first-century ancient Roman fountain, or perhaps a manhole cover, portraying one of several possible pagan gods,[1] probably Oceanus. Most Romans believe that the 'Bocca' represents the ancient god of the river Tiber. The most famous characteristic of the Mouth, however, is its role as a lie detector. Starting from the Middle Ages, it was believed that if one told a lie with one's hand in the mouth of the sculpture, it would be bitten off. The piece was placed in the portico of the Santa Maria in Cosmedin in the 17th century.](https://thumbs.dreamstime.com/b/bocca-della-verita-το-στόμα-της-α-ήθειας-33085300.jpg)
